Trickers - UK’s oldest shoe manufacturer

Tricker’s

UK’s oldest shoe manufacturer

In 1935, the art critic Walter Benjamin published The Work of Art in the Age of Mechanical Reproduction. In this philosophical essay, the German author poses the question of the uniqueness of a work of art: to what extent does it remain unique when reproduced? In this respect, the question is to ensure that the reproducibility does not alter the aura of the work itself. The aura can be identified as what intrinsically characterizes this work or object. For Benjamin, the more a work is reproduced, the less it retains its original uniqueness - we can safely even speak of authenticity. In the Art world, let’s take the example of the Orthodox icon. It retains its aura in that each one is unique. Conversely, it loses it when it is reproduced en masse through the medium of photography or printing. 

Marcel Duchamp went against this ideology by using ready-made everyday objects in his work. Everyday objects – largely reproduced – become art, refuting Benjamin's theory. 

By adhering to this vision, we no longer accept to be the owner of an original work but of a unique know-how. To this extent, this is the case for the world of clothing, some brands are the product of a centuries-old technical mastery. This is the case of the English shoe brand Tricker's, with a 193-year heritage. We’re honored to present the United Kingdom’s oldest shoe manufacturer, a review consisting of two pairs.

Style breakdown.

The current Tricker's factory
Image trickers.com

Joseph Barltrop founded R.E. Tricker & Co. in 1829 as a 19-year-old master bootmaker. When he died 50 years later, the brand passed into the hands of his son-in-law, Walter James Barltrop. He opened the way for the waterproof shoes and boots, what Tricker's is known for today. The famous Country Boots convey a typically English vibe. They were designed to be used for hunting, in the forest or for any other activity in damp terrain. While many brands have moved away from this style, Tricker's has stayed true to its DNA, much to the delight of all Gentlemen who whish to remain stylish in all circumstances. 

More than 5 generations later, the brand is still in the same family fold. The current Tricker's factory, which opened in 1904, is located at 56-60 St. Michael's Rd, Northampton. All Tricker's shoes are proudly made here. 

As a symbol of this exceptional know-how, Tricker's still has a bespoke service. A desire to maintain the old Northampton shoe manufacturing methods. A service that also attracts new generations of craftsmen, such as Adele Williamson who trained alongside Scott McKee - a famous Tricker's bootmaker - and who now leads Tricker's bespoke teams.

Another symbol of excellence, Tricker's has held a "Royal Warrant" granted by the Prince of Wales since 1989. This is a system in place since the 15th century that officially recognizes high quality suppliers. For example, Corgi, Turnbull & Asser or Barbour also hold this warrant.  

No wonder Prince Charles has his own custom-made Tricker's shoes!

The video below illustrates perfectly the history of Tricker's and its know-how. Their shoe lasts are made by Spring Line, the last lasts manufacturer in Great Britain.

In addition to the Country classics, Tricker's is also known for its collaborations with the most beautiful brands such as Margaret Howell, Junya Watanabe and Engineered Garments. 

So it was only logical that we talk about this (almost) two hundred year old brand. For this review, we chose the iconic Daniel and Bourton models.

THE BOURTON - A BESTSELLER FOR OVER 70 YEARS

If there is one brand that can boast of producing sturdy shoes, it’s Tricker's. The Bourton model is still assembled in Northampton in a Goodyear storm welt stitching, which means that the outsole is even more protected in rainy events. More than 260 operations are required to make such a pair!

This is the brogue derby that we think is among the most recognizable on the feet of enthusiasts. The toe is round and generous, exactly as we like it. The last or shape, is the 4444 - which was born for the ascension to the throne of King George VI - sizes slightly larger than other traditional shoes, which is why Tricker's advises to opt for the lower half size (instead of an 8 UK, choose a 7.5 UK). But still, this is not an exact science, this is why we always recommend trying on a pair before purchase.

The black leather of our model has the particularity of being bookbinded. This means that a layer of polyurethane has been applied to make it waterproof. If some people don't like this particular leather because it tends to mark as the pair ages, we think that regular maintenance with a Saphir repair fluid and shoe trees will render this pair timeless. 

When and on what occasions should you wear the Bourton?  We'd say every day, but when it's not too hot. And if it's raining, the Bourton won't fail you.

We like to pair them with a navy suit, formal trousers, but not so much with jeans - we reserve that option for the other model below, the Daniel. Here we're wearing it with a pair of blue flannel trousers, a vanilla OCBD and a Prince of Wales patterned wool jacket by our friends Prologue. 

But the Bourton is still very versatile, and you can easily pair it with a more casual outfit. 

THE DANIEL - LIGHT, FLEXIBLE AND MODERN 

The Daniel is a classic 4-eyelet derby shoe with minimalist styling and a rugged look. It's clearly an all-around shoe that will go perfectly with your formal and casual attire. 

The first thing you notice when you try it on is the weight! It is massive and yet so light. That's due in part to the Vibram Vi-Lite outsole that has a rugged commando look while being extremely light and comfortable.  The midsole-less construction that acts as a midsole also takes weight off and adds flexibility without compromising too much on quality or durability. 

This pair is also modern in the leather it uses. A Tricker's exclusive Olivvia leather that is tanned using olive leaves. This vegetable tanned leather is made in partnership with Wet-Green and Weimheimer Tannery. 

Where to find them?

The brand has two stores, one in London on Jermyn Street and one in Japan.  In Paris we would advise you to go to Royal Cheese. 

Finally, online you can order directly on their website or through retailers such as Mr Porter.

MUST-HAVES

We like quality shoes, well finished and aesthetically pleasing ones. Tricker's fulfills these requirements perfectly. Northampton being UK’s leather, we are very honored to have been able to write about yet another brand from this region, confirming our first intuitions: these shoes are well made, robust and stylish.

 

Reader's Attire #7 - Tanguy

Reader's Attire

Tanguy @kerloazdiary

 
 

The vast majority of clothes I wear have already known one or more lives. Meaning: I've only been buying second-hand clothes since I was 15. In this Spring season that is slowly but surely opening up, I am drawn to a soft color palette but never austere tones.

The overcoat is a ready-to-wear Franco Prinzivalli (ex-student of Mario Donnini) made in Japan. Its light wool makes it a partner of choice in the midst of the climatic yo-yo of seasonal changes. I have been using it for X years and it accompanies me everywhere.

I wear a straight jacket from the St Andrews workshops, a discreet transalpine subcontractor working for several well-known houses. I don’t appreciate soft shoulders and unstructured jackets, this is why I find this jacket very appealing : I am a fan of the lining used in their clothes, both robust and light, which promotes a clean and precise fit. The latter is a cold wool with a fairly dense reinforcement.

Even if I appreciate the "splashy" and light blues (on others), I recognize that my seven blazers are all cut in darker fabrics...In particular this deep midnight blue which enchants me every time I rediscover it in the morning. Here, I wear a white linen pochette inherited from family members, it’s really a touch of Summer in this outfit. “Of the mask and the appearance, one must not make a real essence of them, nor of the foreigner the proper. We don't know how to distinguish the skin from the shirt” wrote Montaigne in his Essays. If clothing is all about politics in our human societies, my cotton shirt is above all just a modest vestige from the old collections of Luciano Barbera. It is a second skin, firstly because of the cut, but also because of this cinnamon brown which fits naturally into many of my outfits. I'm a fan of the Prince of Wales motif because of how much fun I can have in any outfit, especially when it comes to shirts. I particularly like this one, even if its previous owner had a shorter arm than I.

I wear my clothes cheerfully. I hear some connoisseurs say that a well-made garment does not wear out. These glossy brown trousers are no exception to this law. Bought several years ago, it is branded Vigano who turned out to be an unknown but good trouser maker from Italy (what else). However, the weft of this wool has not escaped, in certain areas, of the wear and tear of time.

My socks are knee-highs - new, like all my underwear - and signed Archiduchesse and echo the windowpane checks on my shirt. It is therefore one of the "fun" moments of the outfit, for those who had not seen it.

The shoes are from Tricker's. The leather is used but I still believe they look great. And their skin color "matches" my shirt. Above all, they truly feel like slippers.

As for accessories, they boil down to two pieces here: my pair of Paul Smith glasses (which you won't see) with their smoky brown clip-on sunglasses, like an autocrat from a Mediterranean state, and this LIP watch caliber R25 which turned 60. The original bracelet got destroyed this year, I recently opted for a steel model like the “Breitling Gainsbourg”. I still don't know if it's a good choice or not, but it changes me: pleasure also resides in change.

 

Eduardo De Simone - EDESIM⎟Neapolitan sartoria

 

"Vedi Napoli e poi muori" said Goethe. This roughly translates to "see Naples and die". The fascination for the Parthenopean city has been a vogue over the centuries. If in the 18th and 19th centuries it was the center of the « Grand Tour », an initiatory journey of aristocrats from all over Europe, the city declined in the 20th century. Tourists prefering the Eternal City or Florence and Venice, Naples was heavily marked by the Second World War and branded as a dirty, noisy and dangerous city. It is now experiencing a renaissance. Those who have already been to Naples can attest to the fact that this city has an incredible charm. The alleys, the inhabitants, the food and of course the sortarias by the hundreds. 

We offer you a journey in these narrow streets, this special atmosphere, thanks to Eduardo De Simone.

Let's take a look.

HISTORY

It was 1954 and Eduardo De Simone had just opened the "Edesim" sartoria in Naples. With the help of his family - his wife Carmela and his sons Vincenzo, Michele and Rino - the tailor shop became a flourishing industrial enterprise and worked for the most important European fashion brands.

In 2006 a new chapter began. Eduardo Jr. took over the company and redefined its identity. This is how the factory's own brand was born: Edesim. 

Edesim's range of products, which is rather rare for a clothing workshop, goes from made-to-measure suits to ready-to-wear and MTM. 

Edesim's jackets take on the characteristics of the Neapolitan school: they are unstructured, the shoulders are natural and the fabrics often have a certain British touch. 

An offer that is now available online. Because yes, Edesim has joined our long list of workshops that are known and recognized in the professional textile world but not yet sufficiently known by the end consumer. This workshop is undoubtedly one of the most beautiful companies in the world of costume making. A little jewel.

We had the opportunity to talk with Eduardo, who kindly accepted to answer some of our questions. We are pleased to reveal a short interview with Eduardo De Simone.


How was the Eduardo De Simone brand born?

In honor of my grandfather Eduardo, whose name and surname I bear. I owe my love for this profession to him and my father.

What are your sources of inspiration?

I don't think we can talk about a source of inspiration, but the big brands I work for have certainly had an indirect influence on my vision of fashion.

Can you tell us how the jacket we are presenting is made? And the trousers?

The jacket is partly produced in a traditional construction that includes full interlining of the front of the jacket, hand stitching of the bottom of the jacket, placket, under collar, sleeve lining, buttonholes and buttons. The chest pocket is in "barchetta" and the pockets are reminiscent of the Pignatiello shape. Of course, we can also make the jacket entirely by hand, but this is only available for the Bespoke service.

Is "handmade in Italy" important in today's menswear landscape?

It is important being open to new things and therefore your work and craftsmanship evolve and are updated. A characteristic that I find intrinsic to the figure of the craftsman, always ready to take on new challenges, so I like to imagine myself as an entrepreneurial craftsman.

Finally, if you had to recommend an essential piece of clothing to have in your wardrobe, what would it be and why?

It's true that clothes don't make the man, but I believe that during the first 10 minutes of a date, whether romantic or business, the first impression is fundamental.

Grazie Eduardo !


HOW THE GARMENTS FEEL

We tried 2 pieces from Edesim. Obviously a jacket, in size 48. Its classic and elegant design is made of 100% wool Vitale Barberis Canonico of 240 gr/mt, which is perfect for Spring even if at the time of the photoshoot it was particularly cold!

The jacket looks and feels really good, it's completely unstructured and we really like this green and red/orange check which is quite uncommon.

It is a model "Zero" of the new capsule collection of Eduardo de Simone.

Main features:

  • single breasted jacket 

  • three-button roll two

  • armhole "a camicia

  • patch pockets

  • double vents (something we prefer) 

  • partly handmade in Naples

The second piece we tried on was a pair of sartorial denim trousers: this is the second time we've offered them on Les Indispensables and we're conquered. The first time was with Prologue. If historically denim is intended for a more casual use, we love here the overall formal rendering. Several models are proposed by Edesim. They are part of the new Zed collection made of a 10 oz blue denim cotton. 

According to the models, three styles are available:

  • 1st style: Flat front, high waist and slightly slim fit 

  • 2nd style: Traditional one pleat, medium waist and classic fit 

  • 3rd style : Two pleats, medium size and straight cut : the one we tried

All three styles have a zipper fly, metal buttons and belt loops. 

The bottom comes unfinished so you can have it altered to your prefered length. 

We tried on a size 46. The waist was slightly tight, a 48 would probably have been more appropriate. But it doesn't matter because Edesim leaves enough cloth inside to gain a size.  As for the fit, the leg is wide enough to be comfortable without overdoing it. The right balance. 

In summary, these pieces are the perfect compromise between a casual and more dressed up wardrobe. A double rendering we really appreciate.

IN BRIEF

Naples sets home in Paris, but for good this time. EDS is one of those workshop brands that have a recognized know-how and, with the advent of the Internet, are trying to develop it as much as possible while focusing on what is their strength: high-end clothing offered at contained prices. 

At EDS, the product is king and its kingdom is Naples.

 

Lutays

 
 

French craftsmanship at it’s finest, Lutays. Some of you may already know this brand, we met Jean-Baptiste a few months back and he told us everything on his wonderful brand.

Could you tell us about your career path?

I’ve always dreamt of working in the exceptional realm of craftsmanship for men, I arrived in Paris after my law studies to do an internship at the bootmaker Pierre Corthay in sales and marketing. The experience went well and I came back to work for them in quality control and logistics.

I was then advised to move to a large group. So I went to Bottega Veneta (Kering group), first in a boutique and then in charge of sales training in department stores.

Afterwards, I managed the Lavabre Cadet glove factory and its’ workshop for a few years before launching Lutays in 2020. A rather long journey in the end (about ten years), without shortcuts but with a happy outcome!


How was the project born?

The project was born from a dual observation: at the Pitti Uomo show in Florence, when I noticed the absence of a clearly defined French style, like the Italian, English and American styles. Unlike the Parisian style for women which is known worldwide.

Then, I noticed during a trunk show in Hong Kong, customers usually ordering bespoke suits were desperately looking for an elegant and casual outfit adapted to their daily life. They seemed unsatisfied by the solutions proposed by the local tailors, or in fashion, sportswear and even vintage.

As a purist at heart, I wanted to elevate the casual wardrobe to the quality level of bespoke. Style, pattern, fashion, materials... Everything was rethought to obtain exceptional pieces and to be up to this ambitious project. Lutays was therefore created by developing a typically French casual elegance based on couture know-how.


What do you offer?

We primarily offer casual jackets. There are currently 8 permanent models to suit all tastes and built. Everything is made to order, in a single quality, ready-to-wear or made-to-measure. Our accessories share the same philosophy and the same concern of quality as our jackets.

Orders can be placed in our Parisian showroom (4bis Passage Landrieu, Paris 7ème) by appointment or on our online store. For delivery, please allow 6 weeks.


Who is it for?

Men who wish to invest in a stylish and comfortable wardrobe for their current lifestyle that mixes travel, career, family and friends. Our clientele is international, cultured, dynamic, knowledgeable and Francophile. We are also beginning to receive orders from women who appreciate the quality and character of our pieces.


Why did you choose Made In France?

France is the country of excellence, elegance and high fashion. The talents and workshops we work with are unique. It's ultimately a question of honesty since French style, culture and know-how are at the heart of Lutays.

Producing locally, encouraging employment and the preservation of an extraordinary culture, having optimal social conditions for the workers... For some these are marketing arguments but for us it is an integral part of the brand.



What is your favorite piece?

We are fortunate to have customers with good taste, the orders are often interesting. Since the designs are thought of as permanent and our fabrics are often limited, we continue to be surprised by the potential of each piece as orders come in. That said, I am currently enjoying the « Pilote » in barathea which is perfect for travel and the city with its many pockets and wrinkle-free fabric.




Merci Jean-Baptiste !

 

Reader's Attire #5 - René

Reader's Attire #5

 

The Ivy jacket I’m wearing is an MTM J.Keydge: In tweed fabric from the shop Depaz in Bologna and made by my friend Ahmet Temel from the Temel workshop. Ahmet worked for many years at J.keydge and now makes MTM jackets for J.Keydge and others in the north of Paris. These jackets are unstructured and completely unlined. A joy to wear. I have several but this one is unique. I even have the pleasure of knowing personally Francois-Ferdinand, the founder of this fantastic French brand. A forerunner in his genre. F.Ferdinand was a visionary because he anticipated the trend of the natural shoulder and the "soft look" a long time ago.

5 pockets, sleeveless jacket, chambray shirt and knit tie from Breuer. Walter Breuer is a long time friend and I have learned a lot from him as a customer for over 20 years now. He is one of few references of the "French preppy" style of the French Riviera with Façonnable. For me Breuer is the true heir of casual chic à la Façonnable. A must have!

Shoes from Tricker's, model "Bourton". Bought in Jermyn Street in London, these are the most beautiful "country shoes" I know. An icon, you know.

Drake's scarf, a brand that I consider to be one of the compasses of today's menswear. A good mix of Ivy, British, French and Italian chic. In addition, I know and appreciate Michael Hill the Creative Director. A real gentleman !

The cap is a Brooks Brothers, Made in USA, in New York. We all admire Brooks Brothers for their history even if the brand is not what it used to be. But it remains a legend for me.

The glasses are Lunor, made in Germany, like me. A great example of engineering that the Germans are capable of. In addition, I find them very beautiful.

The watch is a Vintage Ducado in gold. I inherited it from my father. Thank you Dad, I will always love you!

And finally the bracelet with the little silver medal from "GabyLF". My wife's jewelry brand, which has a real history and meaning. Available at 4, rue de Sèvres in Paris.

 

PML Clothing

PML Clothing

Comfortable garments made in Italy in limited quantities

 

On December 28, 1895, at 14 Boulevard des Capucines in Paris, in the Indian Room of the Grand Café, the Lumière brothers held their first film screening: "Sortie de l'usine Lumière à Lyon". The spectators discovered the word “cinema” for the first time. This invention revolutionized the end of the century, which had already been marked by the creation of photography in 1839 by Nicéphore Niepce and Daguerre. Image takes a predominant place in society, the press at that time even feared that the movies were going to "kill" theater and especially painting. However, this "Seventh Art" only completed the already established ones, it became an unavoidable medium of expression.

Strong of this heritage, this new means of expression irrigated fashion while channeling it. Like painting with its classifications, cinema also has its own; thus, feature films, short films and documentaries cohabit. The latter claims to show reality "without filter", an approach that particularly resonates to us as it erases everything superfluous. In this line, what could be more exciting - in our opinion - than to combine documentary and menswear? Gianluca Migliarotti, aka Kiddandy, the director of the most beautiful documentaries on sartorial art - I Colori Di Antonio, O'mast or E poi c'è Napoli - strikes again, but this time by creating his own clothing brand, PML. After the Bespoke trousers at "Pommella Napoli", Gianluca tackles a broader and more accessible wardrobe, from coats to two-pocket jackets and polo shirts.

We are honored - to say the least - to review two overshirts, both available on the PML’s website, as well as a brief interview with Gianluca.

Before we get to our review, we are pleased to unveil an exclusive interview with Gianluca.


You have directed several documentaries resulting in true masterpieces, including I Colori Di Antonio, O’mast and E poi c'è Napoli. What made you create your brand?

It all stems from my experience as a film director and my passion for quality clothing. A director must have an overall vision and a strong imaginative ability. When you shoot some scenes you already have an idea of how they will be edited, with what music, what emotion you want to convey to the viewer; it's a very similar process that happens for me with a fabric. Often it all starts from there: you see a fabric that strikes you and you touch it, you look at it and try to imagine what could come out of it. In short, being able to remain open-minded and creative, knowing how to play around what you have in front of you.

In a world where everything is goes faster and faster, how did you choose the clothes you wanted to produce with PML ? 

Being in a hurry, you can make choices that are already in you and that you are sure of, but if they are not long-standing desires they are not very exciting. Let's say that commercially the world goes very fast, but we are part of those small brands that take the time to grow as they like, making choices as sustainable as possible, doing research or sometimes finding vintage fabric stock. Style comes from experiences, from needs. What I produce is what I use myself and want to share with others.

Where are PML clothes made ? Only in Naples ?

Some products are made in Naples, others in Milan or in Sicily. Each garment has its’ own special workforce need. Everything is made in Italy, of course.

What are your sources of inspiration for PML ?

I am constantly observing life and the world around me. I admire the style of many people and learn from everyone. Observing everyday life and its needs is very important to me. I have particular admiration for those people who in their daily lives cannot do without a certain aesthetic and add an item, a detail, to their look even on normal or particularly busy days. Clothing is a language and I find that those who manage to preserve and take care of a certain aesthetic, without overdoing it, of course, communicate love, care and beauty to the world. In short, people are my sources of inspiration.

What is your favorite item of clothing in your closet right now?

I don't have one in particular, it depends on the day, but lately my Palazzi flannel overshirt is a must, versatile and comfortable, but also dressy with its green melange, really beautiful. Yesterday I picked up my last jacket from my tailor and friend Ciro Zizolfi, who with his son Andrea has been making the most beautiful and true Neapolitan jackets for years now, incredible quality, in a special selected fabric by Fox; I think it could easily become my must-have of the moment, it's a wonder.

Finally, our readers will kill us if we don't ask the question: do you have a project in mind or (in production) of a future documentary?

Actually I've been working on it for some time now, but with little continuity. It is a research in Milanese aesthetics, known to few or not noticed because it is sober and not shouted, but of great depth. It's not an easy job, but it's one I'm very interested in.

Thank you so much Gianluca !


For this article, we have at our disposal two overshirts. One in green wool flannel from Fox Brothers – the special edition "Palazzi" model - and the other in an alpaca wool.

THE "PALAZZI"

Let's start with the first one. The jacket has a regular cut, with two patch chest pockets as well as hidden side pockets. The fabric is a thick wool flannel from Fox and overall the style is beautiful. We particularly love the collar ! On this note, we leave it voluntarily up, not only for the photoshoot but surely by habit.

Fox Brothers is one of our favorite fabric manufacturers. A shirt, a jacket or a pair of trousers made in one of their wools immediately captures our attention. It's a real marvel. When we saw this overshirt was made in one of their fabrics, we were immediately captivated. 

Upon reception, we were not disappointed. The color is not your typical forest green, it’s beautiful in the daylight. This fabric is woven especially for PML by Fox Brothers. The name refers to Alessandro Palazzi, manager of the Duke bar in London, and customer at Pomella Napoli. One of his trousers was made in this wool selected by Gianluca. Upon seeing the Alessandro Palazzi pants, Douglas Corbeaux, owner of Fox Brothers, and a friend of Gianluca's, suggested that the fabric be made exclusively for Pomella Napoli and PML. In homage to Alessandro Palazzi, PML called it "Palazzi" flannel.

The flannel is amazing. It has a soft feel, very comfortable to wear.

The overshirt is fitted with two side pockets and two chest pockets. Yes, the side pockets are hidden on the side of the overshirt. They are almost invisible...and we love it! By positioning them there the silhouette is much more streamlined. As for the two chest pockets, they are deep enough to put your wallet, phone or keys. 

It's an overshirt that reminds us a lot of the American CPO army overshirt. The difference? Gianluca's is made in Italy in a beautiful flannel. It may not have lived through the war, but it will protect you from the cold while looking stylish.

If we had to find one or two flaws, we would say that in our opinion it is a shame that there are no sleeve closure buttons and that the cuff closure button is probably a little too close to the edge, making its closure less convenient. Finally, if the hidden pockets are very nice, they can sometimes be less practical to use, located a little too far back. 

In conclusion, this jacket overshirt is a real must-have piece. Its color, the fabric, its sturdiness and especially the collar are really a home-run. We wear it over a shirt, a sweater, under a balmacaan coat. In short, it is one of our favorite pieces for this Winter.

THE ALPACA OVERSHIRT

This model has the same characteristics as the "Palazzi" overshirt. The only difference is the fabric, made in a super-soft alpaca fabric. A luxurious material making this overshirt incredibly warm. This type of fabric is not so easy to find in the Ready-to-Wear. We particularly like the softness of the fabric, the herringbone pattern and its very soft touch. 

Looking at our pictures, you might have the impression that this is some kind of tweed or Shetland fabric that itches or stings. But no, the fabric is really soft!

And like the green overshirt, the jacket interior is very neatly finished. It is semi-lined with a cotton flannel from the very famous English weaver Thomas Mason. Another one of our favorite weavers!

This jacket is offered in limited quantities, so don’t sleep on it!


For information, Marcos is 1m70, 60kg and opted for a size S.


To sum up, what better way to say it than in the words of Gianluca:

"Life is about traveling, meeting people, observing. I want men to have fun and feel comfortable with their look. I want them to express themselves. PML is my project searching for something special that I can share with my people. No fake myths, no exaggerations. It’s what I wear too. This project, wether ready-to-wear or made-to-Order, is all about quality. Everything is made in small batches with vintage or rare fabrics, old stock buttons and sewn with care. It’s my kid." 

We strongly invite you to discover the rest of PML’s pieces, some of them will become for sure indispensables.

 

Reader's Attire #3 Tibo

Reader’s Attire #3

 

I've always wanted to wear a beret, but I couldn’t dare to wear one until a few months ago.

Then finally, when I saw Wes Anderson's latest movie (go see it, it's a real laugh), I saw the actor Owen Wilson wearing one and it made sense. I did some research and learned that it was a Laulhère. I wanted one. I stopped by their shop in Paris, tried on a few models and then decided on a beret with a leather headband, in a navy blue merino wool, and I asked to have a reduced head width – making it more military and less "French". This is the advantage of brands having their own manufacture, you can change some small details. Since I got it, I wear it all the time !

The scarf I'm wearing is from a thrift store, Son & Image in Paris, it's the first thrift store I went to when I came here a few years ago. I buy a lot of second hand. It’s cheaper and you have access to lost cuts or patterns. Most of all, it has less impact on our planet. This one is made out of a good old Scottish cashmere. I like the Royal Stewart tartan pattern, the red is very bright, the cashmere keeps on getting softer and softer.

Because I often have cold hands, I’m wearing here a pair of gloves from Agnelle. In my opinion,

one of the best brands taking "quality/price ratio" to another level for this product. They are made in France, in a deer leather that ages very well, with a cashmere lining. I had another pair from them but lost them, I bought the same ones over again, why change? This model doesn't allow me to use my phone when I wear them (unlike other models from them). It's not so bad, even if I realize how much addicted I am to them... On my wrist I’m wearing a Nivada, a watch from the 1970s. The brand doesn't exist anymore, I found it second hand at a good price and immediately fell in love.

My tote bag is a useful purchase from Shakespeare and Co. It is very practical, inexpensive, with thick cotton canvas…for all those reason making it my favorite totebag, maybe also because it is my favorite bookstore in Paris: the book selection, the history the atmosphere, the sofas and the cat that walks around... You have to go there at least once!

It was relatively cold on the day of the photoshoot, that’s why I’m wearing thick cotton twill chinos. They are from Casatlantic, a small brand that only makes trousers and shorts

in Morocco. It was created by Nathaniel Asseraf (one of the buyers of Swedish thrift store Broadway and Sons), this one is a reproduction of a pair of trousers from the 50's he found. So it has all the features I was looking for: high waist, straight cut and tabs on the sides. 

I have to confess I’m not very fond of wearing a turtleneck and a scarf at the same time…that is nevertheless exactly what I’m doing here ! The rollneck is from Sunspel, it's a staple and is made from a fine merino wool navy blue color. I was gifted this garment a few years ago when I was working in fashion.  

The jacket I have is one of my favorite purchases of the last few months, I keep coming back to it. It is from the 60's, from a brand that unfortunately doesn't exist anymore. I found it through an American who collects Ivy pieces, it was too small for him, perfect for me. We had and exchange via PayPal, I prayed for it to go through customs, and it arrived two weeks later. I love the style, the faux three button, the flawless lapel roll, no padding, single back slit, a bit of room to the chest, two buttons on the sleeves, semi-lined. I even found a Union tag inside, the one from the Amalgamated Clothing Workers of America. I spent an hour getting lost on sites referencing the types of tags to date it (mine is between 1962 and 1976 if you must know).

With this outfit, I’m wearing a pair of Red Wings, their Blacksmith model in greasy leather. They were given to me a little over a year ago. They are very suitable for the Parisian weather and they pair with a lot of garments in my wardrobe. They have become my go-to boots. One day I would love to replace them with a pair of cordovan boots from Alden, maybe for my first trip to the US?

Lastly, I’m wearing an original M65 parka from the US army. One I've been looking for a while. It was always either too expensive, or in bad condition, or not in my size... This one I found in a thrift shop in Toulouse, underneath a pile of big coats! It dates from the early 70's, I love its aluminum zip which contrasts with the green canvas and I love the story behind the piece, the image it conveys in popular culture. It was in perfect condition when I bought it (at a very decent price), I didn't hesitate very long and I don't regret it. It is very practical (this is an argument that often comes to my mind) I can wear it with just about anything.



 

Crown Northampton – AWMS collab, the Brockton Belgian loafers

Crown Northampton – AWMS collab

The Brockton Belgian loafers

 
 

Note: At our request, Crown Northampton agreed to send us the loafers that you will discover in this article.


At the 26th Salon des Indépendants in Paris in 1910, visitors could admire a painting entitled "And the Sun settled on the Adriatic", signed by a certain Joachim-Raphaël Boronali. At the time, this painting caused a great stir. Indeed, the lively polychrome brushstrokes used by this mysterious artist left visitors perplexed. At the end of the Salon, the public was flabbergasted as they discovered the artist was none other than...a donkey. This little experiment, at the initiative of Roland Dorgelès, was to prove it was indeed possible to "paint like a donkey, praise a picture and also contribute to modern painting". 

This curious History of Art anecdote allows us to approach the art of illusion. Illusion not in the intention to deceive, but in that of blending into the background. To this end, a men’s wardrobe is full of pieces allowing us to follow this doctrine. For instance, military clothing with camouflage patterns - "camo", for the most knowledgeable - have invaded the streets in recent years. 

However, there is a missing link for an outfit to be in complete harmony: footwear. How does one dress the feet with a little fantasy? Why should this only be reserved for the upper body? Fortunately, we found the answer to this unsupportable dilemma.

The English brand Crown Northampton - on which we had already written about - has partnered up with Anthony Sylvester, a brilliant journalist, giving birth to an absolutely unique pair of shoes: the Brockton Belgian Loafer. Their inimitable quality is what makes them beautiful: the upper resembles a leopard’s coat.

We are truly honored to present them to all our readers, through an interview of Anthony Sylvester, founder of the new brand AWMS.

You've recently launched your own brand, AWMS. What made you choose slippers over more "traditional" shoes (derbies, loafers, sneakers...)?

Over lockdown, I simply stopped wearing shoes with laces completely. I went from indoor shoes to outdoor shoes seamlessly - essentially replacing one pair of slippers for another. Just before that happened, Crown Northampton made me a special-order pair of their Brockton slippers in black kudu suede with a cordovan apron and they became my de facto uniform for the next year or so. They're deceptively hard wearing and tough for such a delicate looking shoe.

I started the brand a little under a year ago with the ethos of making things that I wanted that didn't already exist in the world, so a special Brockton slipper with an animal print apron certainly fit that criteria!

Leopard, cheetah and jaguar. Those are the animals you chose to print on your collaboration with Crown Northampton. Do these animals mean something special to you ? Why choose to offer your (unique !) slippers in these particular animal prints ?

I love animal print in menswear. It works in a similar way to camouflage in my opinion, and has been utilized by subcultures from the rockers to the punks. I thought they would add a little flamboyant touch to a very classy and discreet shoe. The specific prints were chosen to compliment the suede colours of the body of the shoe. I think they work perfectly.

Northampton is the UK's "leather belt", what made you choose Crown Northampton over any other manufacturer ?

I think Crown Northampton have a rich and varied heritage, and make some exciting and unique offerings - the Jazz collection in particular. So many Northampton makers just make variations on a theme, whereas Crown are genuinely forward thinking. Also, their business model is "made-to-order" which I think is both practical and ethical.

How do you convince someone who has never worn animal print shoes to do so ? Where should one start ?

If you can wear camo, you can wear animal print. Let the shoes be the accent to the outfit and keep everything else fairly neutral or restrained.


Lastly, how would you pair them in an outfit ?

The leopard print I would wear with old 501s, white socks and a beaten-up old Oxford shirt. The Jaguar with a grey flannel suit with cashmere socks and rollneck. And the Cheetah with Gurkha shorts, no socks and a camp collar shirt.
__

Thanks a ton Anthony !

Regarding size, we recommend you choose your usual one. In our case, a 6.5UK. The Kudu leather as well as the half-rubber sole make them a perfect indoor or outdoor shoe. The Crown x AWMS Belgian Loafers are a true home-run from our point of view !

Thank you once again Anthony for taking the time off your busy schedule and thank you Crown Northampton for trusting us in the long run.

If you wish to order your pair, please let us know or write to info@crownnorthampton.com to order your MTO pair, you won’t regret it !

 

Reader's Attire #2 Nicolas

 
 

Headwear is essential in my wardrobe. During the Winter to protect me from the cold and in the Summer to protect me from the sun. My baldness doesn’t help !  

I often wear an orange beanie with this down jacket (I might as well go all-in) but the pouring rain during the photoshoot led me to opt for a cap instead. This one, in corduroy, comes from "An Ivy Copenhagen", a Danish brand very inspired by the golden age of Ivy style and discovered thanks to one of my Instagram contacts (@lanecdotedemonsieur). I regret not having chosen my Yankees cap to please Romain (@lastrolab), who was participating in the shoot with me. 

The down jacket is another of my winter basics. Even if I am the proud owner of a cozy camelhair coat I love, I often prefer this down jacket: more resistant, warmer, waterproof - in short, more practical. And I particularly appreciate the casualness of the piece, which allows me to partly drift away from the formal suit I’m wearing. The parka is from Frizmworks, a Korean brand I found on All Blues Co, a top-quality English shop. I love its bright orange color, which in addition to being cheerful, is very useful on Paris’ dangerous streets !  (Yes, when I’m facing cyclists or just crossing the road…). There are, alas, drawbacks to this piece: the buttons are not very resistant (I had to replace 3 or 4 of them) but most of all, the parka lacks pockets, which is problematic for a dad like me!

The suit is from Ardentes Clipei, my Parisian tailor since a few years now. Romain Biette is the first tailor I felt totally comfortable with. He is a great listener and will bend over backwards to satisfy my sartorial needs while advising and guiding me to avoid falling into one of the many pitfalls of the made-to-measure process. The suit is in a Huddersfield flannel. I chose a broad chalk-stripe fabric, making it more casual and less of a “banker-suit” vibe. The patch pockets and the "3 roll 2" buttoning are totally Ivy League inspired for me, but I kept other more European details like the two openings in the back and the darts on the front of the jacket. 

I paired this suit with a striped "fun shirt" from Jakes London, the "it-shirtmaker" of the last two years (with Buttice in Paris of course). I've been wearing fun shirts since the 90's, it's become a must-have for me.

This one has a generous cut, which is something to consider when buying and putting together your outfits. I will not detail here the story behind the fun but I will point out that this one does not have the color yellow usually found in such shirts. And thanks to this, I find this fun shirt almost serious. I'm even willing to bet that some readers won't have noticed it and will have taken it for a simple blue striped shirt!

Last but not least, I'm wearing Alden Chukka boots, bought second hand. More formal than sneakers (because yes, I sometimes wear sneakers with suits, go ahead, burn me!) but more casual and especially more comfortable than a classic Oxford.

 

Reader’s attire #1 Romain

 
 

Here’s our inaugural profile of one of our readers: Romain.

Text: Romain @Lastrolab


I’m wearing a Laulhère beret. I had a bit of trouble finding this model which has a 9.5 inch top diameter, which is smaller than the classic version. Even after a certain adjustment period, wearing a beret is still a bit of a challenge. You have to finely navigate between Justin Bridou and Emily in Paris (I will let you be the judge of that). A little customization here: I removed the little rivet with the brand's logo with a pair of pliers and a lot of cold blood. 

The jacket is a Barbour Solway Zipper. It is an old version called "one crest" because, at the time of its manufacture (between 1974 and 1982 if I’m not mistaken) the brand had only received one royal warrant. As a result, the label only features the Duke of Edinburgh’s coat of arms (those of the Queen and the Prince of Wales will come later). The Solway Zipper is a rather rare model that has been discontinued. It is longer than most of modern Barbour jackets and features a belt. I already had a Solway Zipper, but this one was in such good condition, with its original synthetic fur liner and belt (the latter is often missing) that I couldn't resist when I saw the listing online.

Underneath, I'm wearing a Brooks Brother blazer from the Makers line, which means it was made in the brand’s American workshop (union made, s’il vous plaît). I like it a lot because it has all the typically Ivy characteristics of American sack jackets: undarted straight cut, 3 buttons roll 2, patch pockets on the hips and breast, 2 buttons on the sleeves, semi-lined and with a center hook vent in the back. The fit is so loose that I sometimes wonder if a size down would not be better for me. It remains to be seen...

To stay warm, I chose a sleeveless shetland wool cardigan. I started buying knit vests this year, to avoid the ubiquitous Uniqlo down jacket, which is very practical but not very nice-looking. This one is a Benetton vintage made in Italy. 

I don't usually wear a tie with jeans, but I thought it would look nice with this outfit. This is a vintage Marinella regimental tie. I used to dislike striped ties, but it slowly grew on me and I now have quite a few. I like the color scheme on this one, but I realize afterwards that it might be a little wide to wear with a button-down shirt. 

The shirt, precisely, is my most recent vintage Brooks Brothers find. I have a bit of an obsession with vintage made in USA Brooks shirts. This one, although not from the makers line, is interesting because it's a so called “fun shirt”, which means it's made with different patterns, but, unlike other fun shirts, only in blue and white. 

The braided leather belt is an Atelier Particulier. I bought it new about 5 years ago. The quality is great. 

The jeans are also quite interesting because they are a vintage redline (selvedge) 501s from Levi's. This particular version dates from the 70’s and is referred to as "single stitch", due to the construction of its back pockets. It's the earliest version of the “small e” 501s. I bought it on eBay from an American seller. It had a few holes that I had Arthur (aka Superstitch) repair except two, on the left thigh, that I repaired myself the "sashiko" way.

Finally, the penny loafers are from Edward Green, the Picadilly model. I'm a bit of a fundamentalist when it comes to shoes. I know that there are several great brands out there that make beautiful things, but I admit I'm a sucker for Edward Green. These are a farewell gift from my former colleagues when I left my previous job, I can't thank them enough! They did catch the rain during this photoshoot. But as English shoes, the least they can do is tolerate a little rain!

The icing on the cake (or umbrella on the cocktail) is my Cal umbrella, which I bought during my year at Berkeley. I like it because it's big, colorful, and above all it's a souvenir!

I realize that with the exception of the beret, the belt and the loafers (and my underwear!) all my clothes are second hand. I've always loved digging for vintage clothes, and it's intensified recently with the help (because?) of online thrifting sites. But I think I've been forcing it a bit this past year. I plan to slow down in 2022, in order to buy less stuff but to support brands and people I like. I promise, if you invite me back, I'll only wear first-hand clothes!

 

COHÉRENCE Trench Coat - AL II

 

The wardrobe of legends with the genius of today

 

On May 19, 1942, a bomb exploded. In the midst of a World War, Europe was torn apart. This was not an ordinary bomb. A literary bomb had just been dropped by Albert Camus: The Stranger had just been published. This novel details the – insipid ? - life of the narrator, who finds nothing more exciting than to kill to feel the weight of his existence. It is undoubtedly one of the most poignant novels of the 20th century because all the subtilties of human existence are addressed. Albert Camus received a Nobel Prize of Literature in 1957, more than 10 years after the publication of this book. There is no shortage of clichés about the writer, and what has always struck us is his impeccable sense of style. Camus had everything: a cigarette in his mouth and a raincoat on his back, Camus was straight out of a Hollywood movie. 

His influence goes beyond French borders. Today, a Japanese brand draws its inspiration from snaps of great figures of yesteryear.

Let's have a closer look. 

The japanese fascination

Clothing in Japan is quite eclectic, almost an obsession. No two styles are alike. But all have in common to have a distinctive sign. 

COHÉRENCE is inspired by portraits of legendary artists who have forged History. Their slogan is "the wardrobe of legends with the genius of today". The COHÉRENCE line conveys contemporary authenticity through unique textiles elaborated in Japan with techniques exclusively developed in the land of the Rising Sun. 

Kentaro Nakagomi is the creative director of COHÉRENCE. Fascinated by the Surrealist movements, by the New Wave, the founder tends to get closer to the Greatest men in History in their field: André Breton, Miles Davis, François Truffaut...artists who have left a mark on their time and their peers.

What makes COHÉRENCE overcoats so unique is certainly their manufacture. They are all produced in Japan, in an incredibly meticulous way for ready-to-wear! Indeed, Kentaro Nakagomi visited dozens of workshops before finding a true gem in Japan specialized in the production of coats for more than 50 years and able to meet a relatively demanding specification in terms of cutting and assembly.

The level of detail that goes into each piece is a very Japanese phenomenon. The brand does not deviate from this in any way, on the contrary, they elevate it to a maxim. For example, the armhole is narrow so to facilitate movement, all their overcoats have beautiful buttons made of real horn, a lining inspired by the horizontal stripes of Jean Cocteau's shirts, not to mention the profusion of pockets. There is no “faux-leather” buckle on a COHERENCE trench coat, as you would find in most trench coats. Instead, you will find a beautiful metal buckle with a matte finish.

The fabrics are also entirely made by the brand with their Japanese collaborators. We at Les Indispensables love knitwear, this is why we particularly like the "Tweed Chevron Jersey" which reminds us of the rustic uniqueness of Tweed but with a soft, lighter feel. 

The choice to focus on tops is also not insignificant. In an interview for Beige Habilleur, the first stockist in France, the creative director explains that in ready-to-wear there are few pieces that can achieve the degree of beauty that can be found in made-to-measure...except for outwear pieces. They don't have to fit perfectly to be elegant. Small deviations will have much less impact than a suit jacket for example. This makes the Trench Coat the ideal ready-to-wear piece to complete a wardrobe that is already geared towards tailoring. But not only.

the look

Length and comfort are two adjectives that best characterize the "AL II" raincoat. The large collar protects from the wind, the length of the piece elongates the silhouette.


All in all, COHÉRENCE clothing has a reassuring feel. They reassure by the quality of the materials chosen, by the techniques used and by the attention given to details as a guideline. 

The Fitting


COHÉRENCE sent us a size S which is perfectly suited to create a "regular fit" effect. The trench coat is worn here by Manon, who, at 1m75 fits very well.

With an atypical cream color, it goes perfectly with soft colors but also more saturated and contrasted. 

Wearing a trench coat is always a challenge: either too short, or too long, or too wide...At Les Indispensables, we can say that we are conquered by this piece, which would almost deserve a museum by itself. 

At Les Indispensables, we can safely say we are impressed by this classic piece of clothing, which would deserve a museum to itself. 

Texte : Marcos E.
Photos : Thomas M.

 

N.E. BLAKE & Co. – Cricket jumper

N.E. Blake

Cricket Jumper

 
 

In 465 BC, two Sicilian tyrants - Gelon and Hieron - expropriated and deported the inhabitants of Syracuse. To defend themselves, the people called upon three great orators to support their cause: Empedocles of Agrigento, Corax and Tisias. The people triumphed, the art of persuasion was born. The Roman philosopher Cicero set up this technique in true oratory art and declared “eloquence as reason is the virtue of man

In his oratory essay, De oratore, Cicero particularly emphasized the importance of body language, “the elegance of the body”. The personification of persuasion in History of Art is that of a young woman, crowned with flowers, pearls or gems and always dressed in white. The garment precisely. An essential piece of this puzzle: if one is a better dresser, does this person have a stronger power of persuasion? The art of persuasion seems to answer this question negatively: if one is wearing plain or whites clothes, this will not distract the audience from one’s speech, permitting them to solely focus on the spoken words.

But an array of questions can be raised in the present day. In the same vein, can one wear a workwear jacket when one is not at work? It seems quite normal to us to wear that sort of jacket on the weekend for instance. Additively, can one wear sportswear when one is not playing sports? The answer can only be positive. Proof with this cricket sweater we discovered from the English brand N.E.Blake & Co.

Let’s have a closer look. 



A cricket brand for cricketers

It was in 1926 that Nicholas "Paddy" Padwick established his brand "N.E.Blake&Co" in Minster Street in Reading, England. His goal was to offer the highest quality sportswear. Paddy was quite a sportsman himself: golf, field hockey, boxing and cricket. 

"Paddy" Padwick, neblake.com

The business flourished, even during the Blitz bombings, Paddy managed to return to the store after his military service. Upon his death, the brand was taken over by his wife Anne. When she passed away in 2017, her grandson, Henry Lloyd-Hughes took over and revitalized the brand. Being a successful young actor himself, his goal was to make this almost century-old brand, current. The gamble paid off.

When Henry took over the brand in 2019, he had access to the brands’ archives and thought it was time to resurrect its’ vintage soul. He knows something about this himself. Both a lover of sartorial art and an avid collector of vintage clothing – notably from the 1940s and 1950s – he has amassed an impressive collection during the years, "rooms full of vintage clothes" he says! Henry has said what pleases him most is to see, for instance, a Japanese teenager wearing his brand but also cricket players themselves. Making his clothes wearable on and off the field.

All of the brands’ clothes are named after great cricket sportsmen, like the "Peter May" shirt, the "Len Hutton" trousers or the "Jack Russell”. Each piece offered on the site is the embodiment of the best details of vintage pieces in existence – this is where N.E.Blake&Co thrives. An example is the "Peter May" jersey cricket shirt with a long 1950s collar we just love.


A cricket sweater for the city, the countryside or any sport

The versatility of the garment is something that is very important to us at Les Indispensables. Being able to wear clothes that are initially intended for another purpose is a richness. This sweater is a perfect example. It is woven in England from English wool and adopts a twisted pattern with a large, characteristically slit "V" collar with sky blue trim. 

The sweater is warm, the wool is soft, the style is timeless.

After having tried a size “M” which was too big, we asked Henry for a size “S” and he kindly sent us the correct sizing. We advise you to take your usual size, but for any questions you may have, the brand has a size guide on their site and are very responsive on Instagram.

This is where N.E.Blake’s strength lies: being a pure clothing brand for cricket clubs – customized jumpers are possible for them – and at the same time offering beautiful functional clothing that can be worn by everyone, every day. 

If you don't have a cricket sweater yet, you know where you can get one.

Text : Marcos E.
Photos : Thomas M.

 

Interview of Thom H. Boehm, knitting machine operator and Linkedin influencer

 
 

Thom H. Boehm is a circular knitting machine operator. Followed by several thousand people, he often publish articles on Linkedin both about his work and life in general. He plans to eventually write a book about his knitting experiences.

We asked him a few questions to better understand the world of circular knitting machines.

Thom H. Boehm in the middle of circular knitting machines Photo @Thom H. Boehm

Thom H. Boehm in the middle of circular knitting machines
Photo @Thom H. Boehm

Well, for quality, I only know from a knitter’s point of view. I know that often lighter stitches are used to save on yarn, but I much prefer to knit with a tighter stitch, and am under the impression that this will also help reduce shrinkage in the finished product.
— Thom H. Boehm

Can you introduce yourself in a few words?

My name is thom h. boehm, and I currently live in Truro, Nova Scotia with my wife and son who is doing his Master’s degree from our basement due to covid restrictions.

How did you fall into the world of textiles?

I got married and moved to Japan at the age of 20 years old. Once there, I picked up the occupation that most foreigners in Japan have, that is teaching of English. I have no college education, but I did have a spousal visa, so my boss in Japan made up a college degree for me and turned it into the prefectural government. I taught on that degree at the same school for almost 10 years. At the age of 30, as a family, we moved back to Canada. Since I had no college degree, factory work was the easiest work to find. I got on at the mill where I work in August of 2001 on the night-shift as a piece-work knitter. Later I apprenticed as a fixer, and now do a little bit of everything, or whatever needs to be done.

Which company do you currently work for?

I work for Stanfield’s Limited in Truro, Nova Scotia. It was founded in 1856 in Tryon, Prince Edward Island, and later moved to Nova Scotia.

Stanfield’s factory - Canada Photo @Thom H. Boehm

Stanfield’s factory - Canada
Photo @Thom H. Boehm

What machines do you work on? What types of garments do they produce?

Depending on the day, I work on jersey, fleece, interlock, two-layer, rib, or thermal machines.  Stanfield’s produces a wide variety of products, but many of them still are undergarments or winter woolens.  We also produce a lot of fire retardant attire for oil workers, fire fighters, or anyone else who is in need of fire retardant clothing.

What are your daily tasks?

Day-to-day, I cover a lot of ground.  Lately, an average day finds me covering often over 10km in one day.  The knitting room is large, and often machines I look after are on opposite sides of the room.  I operate machines, maintain the machines, take the garbage downstairs, keep my manager appraised of the what is happening on the floor, and general house-keeping.  By far, though, this is not the end of the things that I do.  I do whatever needs to be done to keep things flowing through the room.

What is your favorite machine and why? 

My favourite machine.  That is a hard one, as most of them I like in one way or another.  Probably my favourite would be MC #62.  An old 30 inch Mayer rib machine w/lycra.  It was a terrible machine to run back when I was a piecework knitter, but it runs much better these days, and it is an attractive machine with an attractive and affable personality.  

Would you like to learn how to use flat knitting machines? (Like those of Shima Seiki for example)

I would love to learn how to use flat knitting machines, but I don’t imagine that will ever happen.  I would love to just see a Shima Seiki machine in action, so I could wrap my mind around how they work.

Do you have favorite fashion brands? Or brands you think their t-shirts and sweatshirts are really good?

The majority of my clothing, I buy from the second-hand store.  Go to the second hand store and you can see what companies are producing quality goods, as if they still look good when they are hanging at the second-hand store, then usually they are made pretty well.  For my t-shirts I often gravitate towards American Eagle, as they hold up well, and I like the cut of the t-shirts.  If I am buying something new, then lately I like Puma and have always like Diesel, but I don’t buy new clothing very often.

Men’s fashion is very attached to the notion of quality. In circular knitting, what does "good quality" mean? Is it necessarily a thicker knit? 

Well, for quality, I only know from a knitter’s point of view.  I know that often lighter stitches are used to save on yarn, but I much prefer to knit with a tighter stitch, and am under the impression that this will also help reduce shrinkage in the finished product.  But, sad to say, my knowledge is mostly limited to my small step in the larger process.  But, I like as much as possible with the limited resources that I have to produce a quality fabric free of defects.


Tubular t-shirts often get very good press. However, no article explains why a tubular t-shirt would be better than a cut and sewn t-shirt. 
What do you think about it?

Outside of my area of expertise, but I can’t imagine that there would be any difference.  I mean even with circular knitting, most of our garments are still cut and sewn.  I would be more concerned with the quality of the materials and workmanship.

Circular knitting machines Photo @Thom H. Boehm

Circular knitting machines
Photo @Thom H. Boehm

Monarch’s circular knitting machine Photo @Thom H. Boehm

Monarch’s circular knitting machine
Photo @Thom H. Boehm



 

Camessi – MTM shirts

 
 

A shirt is certainly one of the most worn pieces in men's fashion: dressy, casual, fancy...the choices are endless. We love wearing shirts, that's why we are constantly looking for new shirt makers. So it was natural to broaden our research, and this is when we come across Camessi, an Indian...maker. Let's be honest, when you hear about "made in India", you stereotypically assume that the quality is not very good and the working conditions are not necessarily better. Yet some brands have noticed this and have made it their mission to change things. Camessi is one of those brands.

Let’s have a closer look.

Les Indisepensables Paris6.JPEG

A family story

Camessi is a custom made to measure shirt manufacturer based in Mumbai. The company was founded by Shanker Shroff in 2007. Today, his son Sanjiv Shroff and his two grandsons Rahul and Ameya have taken over today.

We were very curious to know more about this brand. During our first phone call with Ameya, he explained the company's philosophy to me. Camessi's goal is to offer "the best quality that one can expect from a manufacturer of custom-made shirts". For this reason, the company trains their own seamstresses (up to 70), it's even a prerequisite: they don't need to have any previous experience! This allows the brand to give them a solid foundation.

In the beginning, the founder and his family went to Italy to visit the best shirt manufacturers in the world and analyzed each style of different producers in order to take in the knowledge they had acquired and interpret it in their own way. This information and knowledge is still used today by their skilled craftsmen. Every step of the shirt making process is carefully checked by someone with experience. The margin of error that Camessi allows itself is 1mm! 

For example: Imagine a tailor working on one side of the shirt. When the thread breaks, an Italian or European shirt would take another thread and start where the other thread broke. This thread is usually cut carefully, leaving a kind of knot that is invisible to most eyes. In comparison, when this happens at Camessi, the tailor starts from scratch to deliver the promised quality. Most European tailors will not do this, as it is simply too expensive and too long.

Camessi has over 2000 fabrics in stock from the best manufacturers, including their own, the mythical Madras. The options are endless.

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An OCBD shirt and a slightly special jeans shirt

For this review, we wanted to see two fabrics: an oxford and denim one. We are not disappointed! The fabrics are really impeccable. 

The OCBD is very smooth and has a beautiful sky-blue shade. It is perfect to wear in a dressed-up outfit, but it is just as suitable for more casual outfits.
For a total casual look, the denim shirt is a must. Here, rounded chest patch pockets, mother-of-pearl buttons, and a generously proportioned collar are the best answer in acquiring style and nonchalance.

You will have understood it by now...”Made in India” does not rhyme with low quality, indeed, Camessi is the epitome of this. 

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Prologue Hong Kong

 
 

March 2020: first lockdown. The opportunity for me to lighten my wardrobe. An observation arose upon examination: my suits were no longer really my size. Too thin and slim for my taste, legacy of a time when I dressed (too) close to the body. This is when I started looking for a brand that could satisfy me. As often, I turn to Instagram, a great source of inspiration. I scroll through various accounts and come across one of a Hong Kong tailoring house: Prologue Hong Kong. The silhouettes are simple, intriguing and beautiful at the same time. I decide to contact the brand via the social network. As a reminder, we are in full lockdown, so the situation is quite critical in China, but Prologue is attentive: their idea is to launch Remote-Made-To-Measure. Thanks to an efficient measuring guide, I order my first two-piece suit in a blue fabric from Holland & Sherry, which is a real success. The measurements were taken by my girlfriend – many thanks to her – and perfected by the Prologue team. On arrival, the suit falls perfectly, I am completely satisfied of the cut and the quality workmanship, very clean. 

Since then, my wardrobe has grown thanks to their unbeatable offer. Here is the review of their emblematic jacket and a special pair of trousers. 

Let’s have a closer look.

An adventure born out of frustration

 
The Prologue team Photo prologuehk.com

The Prologue team
Photo prologuehk.com

 

The three founders - Jerry Tong, Chris Tang and Maslow So - were frustrated when they went in search of tailoring: although they would have loved to purchase wardrobes full of Liverano e Liverano, Sartoria Panico or Corcos, such storied heritage costs a price they felt they could not justify too many of.

When friends asked them where to find accessible quality suits, they never had an answer. This is when Chris and Jerry began working with Hong Kong tailors to reinterpret the silhouettes of their favorite houses. But the tailors didn't want to adapt to the two men's tastes: they didn't have time for them.

They found a workshop in mainland China willing to learn how to cut their patterns. Little by little, the silhouette became clearer and perfected. Their suits are made from pre-existing patterns, but readjusted by hand, which is why Prologue uses the term semi-bespoke.


A jacket and pair of trousers for everyday

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Blue and grey are a men’s best friends in a wardrobe. But they can quickly get the upper hand, the result of which is not being able to venture outside one’s comfort zone. 

But sometimes this pays off. Making mistakes is part of the journey in building a sustainable wardrobe.  

Prologue offers here a two-button jacket (fake three-button-roll) with wide lapels (10 cm), and slightly structured shoulders. In a fabric composed of 50% wool and 50% silk from the Marling and Evans house. This Prince of Wales patterned jacket with discreet green stripes is a real jackpot for a wardrobe. 

Prologue already had my measurements from my previous order, so it was simple to take apply them to this jacket. The jacket falls perfectly!

In a world increasingly less formal, Prologue wanted to propose new hybrid pieces that would fit into our daily lives, which are shaken by the current sanitary situation. This is why the tailoring house also proposes to discover a real gem: dress trousers - sartorial - in a beautiful denim fabric. I have to admit I was a bit reluctant at first, but Jerry was able to advise and guide me efficiently. Thanks to this, I wear it with the jacket detailed previously, visible on the pictures. Eventually, I’ve grown quite fond of these trousers because they are both dressy and casual. Dressy thanks to the dark indigo color - a deep blue - and relaxed by the denim fabric.

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Quality "Made in China”

This review of Prologue is an opportunity for us to share with you a true discovery of quality made in China. Prologue offers excellent craftsmanship at a very high workmanship at an unbeatable price. 

What about customs fees for France ? Prologue ships orders via Hong Kong Post which considerably reduces customs duties: from experience, you should count about 30 euros of fees at the reception to be paid to the French Post. 

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A brand that has been able to adapt

Prologue launched its website recently, Prologuehk, and has expanded its range, offering ready-to-wear or made to order pieces. Their remote-made-to-measure program should be launched in a few weeks. 

To find the jacket of this review in ready-to-wear, simply follow this link : https://shop.prologuehk.com/shop/products/prologues-signature-brown-cream-pow-check-wool-silk-jacket

Prologue is composed of an exemplary team, Jerry being of an incredible kindness and help. We at Les Indispensables Paris can only recommend that you take a plunge into their world. You can also discover their offer via Instagram, their page is a real source of inspiration!

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Archivio tie E. Marinella – Napoli

 
 

Note: At our request, Marinella agreed to send us the tie that you will discover in this article.

In an increasingly less formal world, it seems incongruous to wear a tie. Over time, this accessory has gradually become an emblem of sophistication among others. It's hard to defend wearing a tie at work when all your colleagues adopt open shirt collars - collars that are often far too short and that bend inwards - a pair of jeans and a very slim-fit blazer. A minority still wear a tie, sometimes out of obligation but mostly by choice. I fall into this second category. 

If you are not familiar with E. Marinella, you will discover the essence of tie-making. For those who know, you will only be able to nod and enjoy our photos. 

Let’s have a closer look. 

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A Neapolitan Italianità proudly claimed

Much has been written and said about Naples - Napule in Neapolitan dialect. The Parthenopian city is a concentrate of tailor-made art in constant turmoil. Probably because of the nearby Vesuvius, which watches over rather than threatens the city. Those who have already had the chance to travel to this city will attest to its special atmosphere. 

In Naples, the inhabitants are not Italians, but Neapolitans firstly. The dialect and the Napoletano way of life irrigate daily relations. Naples is a concentrate of culture, football and tailoring know-how. 

At 287 Via Riviera Chiaia nestles a more than century-old shop, a true Neapolitan institution: E. Marinella. Although the store is only 20m2, its influence is worldwide. 

The house offers a selection of shirts, scarves, pocket squares, scarves, sweaters, berets, shoes and especially ties. An exceptional choice. The house was founded on June 26, 1914 when Don Eugenio realized his vision of a store that would be a mirror of the most elegant, inspired by the English Savile Row. If the overused term "sprezzatura" has been analysed and misunderstood, Eugenio Marinella defends sobriety in elegance: "never wear a sky-blue shirt at night or a bright red tie" are part of his precepts. 

Thanks to an article by the novelist and journalist Matilde Serao at the beginning of the century, Marinella's house gained importance and aroused Prince Humbert of Savoy’s curiosity, who personally went to the shop to buy elegant ties for his social outings. His uncle, Emmanuelle Filiberto, Duke of Aosta, used to spend whole afternoons there. 

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Manufacturing

If we have not yet had the chance to visit the Marinella workshops, the brand is present every year at the Bon Marché Paris Rive Gauche during the Christmas holidays. Maurizio Marinella travels regularly in person, accompanied by two seamstresses who make custom-made ties on the spot.
On this occasion, we were able to see how a Marinella tie is assembled in the best possible way. As an example, the structure of the tie - the seam that closes the tie along its length - is assembled by hand. This is the only way to guarantee an exceptional hand and longevity of the tie. 

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A piece of fabric from the E collection. Marinella Archivio

The E. Marinella Archivio collection is a time machine. It allows you to (re)discover fabrics from the past. The opportunity to get your hands on real gems, treasures waiting to be unearthed. It is no chance the most illustrious men of the century wear them around their necks. 

The archivio brings together fabrics produced in the UK from the 1930s to the 1980s. The archive has over sixty designs in over two hundred colors that add to the house's already extensive collection. 

The archivio collection is therefore a real gift from E. Marinella, a gift to be worn without moderation proudly around the neck. 

I'm wearing a Vintage Marinella tie made from a fabric dating back to 1948. I wear it with a Prologue jacket and pants and a Camessi* shirt. The tie is a beautiful burgundy color with cream-colored medallions. It enlightens an outfit without obscuring it. 

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*reviews to be discovered soon. 

Text : Marcos Eliades
Photos : Thomas M.













 

The Anthology - Lazyman Jacket

 

Text: Marcos Eliades
Photos: Thomas M.

 

2020, what a year. Punctuated by two French lockdowns and a global pandemic of unprecedented magnitude, the past year will be remembered. 

It seemed futile to worry about anything other the well-being of others or one's health. "Eppure, si muove" would have said Galileo. Yet the world continued to work and the Skypéro (in French, contraction of “Skype” and “aperitif”) became legion to the detriment of hugs and handshakes with friends and family. For many, questions of appearance or daily dress were relegated to the background. Rightly so, you might say. How can we think about clothing when we are in the eye of the storm? Quite simply because it constitutes our body envelope, literally our second skin. The euphoria of indoor clothing during the first weeks of lockdown gradually gave way to an irresistible urge to get dressed up again. I remember how I meticulously prepared my outfits for the authorized and strictly supervised outings within a one-kilometer radius. A pair of beige chinos, black penny loafers, a white crew t-shirt, a chambray shirt and a denim jacket. Not knowing when we would be free again, I opted for outfits that filled me with joy when I composed them. Although my accessories of the moment were the alcohol solutions and home-made masks, I found a semblance of normality.  However, as in any crisis, rays of light emerge. Men's fashion brands began to mobilize to make their contribution helping caregivers. This is notably the case of the Hong Kong brand The Anthology, which created colorful cotton t-shirts to support this cause. 

Since two years, The Anthology offers clothing adapted to our urban and bucolic outings. Thus was born the Lazyman Jacket

Let’s have a closer look.

 
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A suit story

The two founders, Andy Chong and Buzz Tang, are passionate about the art of tailoring. It was therefore logical they founded The Anthology by offering a bespoke suit service. 

The suits made by the duo are inspired by the traditional art of tailoring, but revisited by offering generous low-gorge lapels soft padding. The silhouette is natural, the shoulders are well constructed and are rather inspired by English than Italian craftsmanship: this gives it a more timeless look. Nonetheless, "soft tailoring" irrigates The Anthology: it is easy to wear a suit without overdressing it. In a world that is becoming less formal, it is essential to be comfortable in one's clothes above all, this does not mean being neglected. 

The Anthology pushes to the exploration of clothing, without being avant-gardist for all that. Although blue and grey are essential colors for men's wardrobe, the brand pushes men to explore English or Italian fabrics with patterns and colors that remain classic, elegant and adapted to everyday life.

Without any further ado, here is Buzz Tang, co-founder of The Anthology, let’s see what he has to say. 

How did The Anthology come to exist?
A story of two like-minded, like how many other businesses started.

Having the privilege to run The Anthology is a matter of serendipity and also “right time right place”: I met Andy, who is the other pillar of The Anthology when I was 18. We share the same goal in terms of how we perceive a brand, but also have very different perspectives. Thus, we effectively fill each other’s gaps which in turn makes the label more all-rounded. Based on his expertise in bespoke tailoring and my prior experience on Savile Row, Andy and I knew there would be an opportunity to start a concept shop that conveys the story of a modern man who carries that tasteful eclectic identity, a bricolage of the modern and the old. Thus, The Anthology was born.

Where did you use to make your suits prior to founding The Anthology?
An old tailor my dad used to visit, an open-minded senior who sadly passed away. He was a man with no boundaries. I also commissioned bespoke pieces from a few renowned Italian names whilst I was in London. In terms of ready-to-wear tailoring garments, I was spoilt by my uncle, who was a big Ralph Lauren Purple Label patron.

Where do you draw inspiration from?
Everywhere. Certainly, less on the famous menswear icons but things surrounding us, say art pieces and Pantone. I always think clothing should be relatable than to look pompous. We are not costume designers as much as I have a lot of respect for these geniuses.

What is The Anthology’s « House cut »?
Contemporary with a hint of old-school glamour. Soft, laid-back style, which is presented via the use of soft shoulders, with slightly roped and extended shoulders that retain a bit of formality. A fuller and more generous cut in consideration of practicality comfort. Without comfort, a person can hardly look at ease and confidence. 
Our house style also features extended wide shoulders, a low gorge and a specific balance of collar and lapel proportions that we’ve tweaked for almost a year, in which we see these details the most distinctive details of our design.

What do you think of modern tailoring today?
Define modern tailoring. If it’s about people wearing suits with sneakers, I’m certainly not against it. People trying to incorporate tailoring with fashion items? I am a fan. There’s only so much we can do with traditional tailoring, and it is not a bad thing to broaden our horizons, especially in 2021.

What effect do you think the pandemic is having on menswear?
Certainly a lot. People get to wear fewer suits, shifting to more casual wear pieces. The suiting market certainly deteriorates in most parts of the world but that doesn’t mean it’s a bad thing. It may lead to new opportunities. Perhaps we can get to see more interesting sport jackets and trousers combo in the coming years?

What does the future hold for The Anthology?
Evolution and reinvention. The team and I are thinking of how we can refine our products, service, aesthetics and identity every day.

‘To unlearn and learn from classics in order to make things modern’ - that has been our motto since Day 0. We will respectfully shun the traditional aesthetics and make tailoring pieces modern and adaptable in our daily lives, and will also remember sartorialism is a sweet reminiscence of the old times, but it might not be sustainable decades down the road. In order to make this sunset industry survive, we need to democratize this genre - to create original designs that are partially inspired from yesterday, but designed for today and the future.

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The opposite of laziness: the Lazyman jacket


What to wear when you are home-working but the desire not to give in to indoor tracksuits becomes a personal affair? 
A jacket with a 47% wool, 38% baby llama, 5% cashmere and 10% polyamide composition is the answer. 

The color blue is undoubtedly man's best friend. Add to this an unlined and completely unstructured jacket and you have a perfect cocktail. The Lazyman jacket looks as good as a cardigan as it does a jacket.  It has three functional pockets, roll up sleeves and adjustable side tabs in the back. 

The fabric was woven in Biella, Italy, and is quite astonishingly soft. This jacket is designed to be worn every day and is perfect for different occasions. With or without a shirt, with or without a tie, the jacket is a perfect modern hybrid piece. 

I'm wearing a Vitale Barberis Canonico gray flannel sartorial pant, Alden tassel loafers and a John Smedley turtleneck. But I could very well have worn jeans and sneakers. In the end, the jacket is very versatile thanks to this textured fabric. 

The perfect compromise of not being over-dressed

Finally, the Lazyman jacket fits perfectly to our (new) everyday life as well as to the old one. It is easy to put it over a sweater and the navy-blue color is by no means dull, thanks to this particular fabric. 

A nice brand to discover, the jacket is available here: https://theanthology.net/shop/lazyman-jacket-navyteal-boucle

Check out the rest of The Anthology's website and their Instagram account: a real source of inspiration!

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Crown Northampton Desert Boots Chromexcel

Note: At our request, Crown Northampton agreed to send us the Desert Boots that you will discover in this article.

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Text : Marcos Eliades
Photos : Thomas M.
 

Some menswear pieces are timeless must-haves, indispensables. Desert boots are fully part of them. We will not settle the eternal Wallabees/Desert boots debate here - although we prefer the latter model - but we will try to stress out the importance of having this model one's wardrobe. 

The available models on the market are innumerable: smooth leather, suede leather, modified leather... The English brand - more than a century old - Crown Northampton revives this historical model and offers a selection of premium leathers as well as an interesting customization. 

Here is the story of the Woodford desert boots in Chromexcel color 8 from Horween, made in England. 

Let’s have a closer look. 


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Northampton or the cradle of English shoes

The Woodford family began crafting shoes back in 1908 in London. A few years later the founder Earnest Woodford, relocated production to Northampton, a major manufacturing centre of English footwear. 

Each model produced by the brand bears the name of a street adjacent to the Northampton factory. The company is also the only one to have the privilege of using the town's crest on its products: « Castello Fortior Concordia » which translates to « Peace is stronger than a fortress ».

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Leather sourcing is certainly Crown Northampton's forte. A selection ranging from suede, to calfskin as well as more exotic like ostrich ! When possible, Crown Northampton collaborates with local suppliers such as the Charles F. Stead & Co Ltd. tannery. If Saville Row is where one should commission a suit, Northamptonshire is where one’s shoes must be welted. 

Each pair exiting Crown Northampton's factory is the result of a number of stages performed by experienced craftsmen. All of these stages of production are carried out in England, either in-house or with special manufacturers.

Thus, like the biggest English brands, Crown Northampton carries out its last - or « formes » in French - with the regions’ last manufacturer: Springline. This marks the beginning of the shoe manufacturing process. Then comes the manual cutting of the leather which is known as "clicking". A characteristic clicking sound can be heard when cutting the leather by rubbing on the metal pattern, which justifies this name. 
This is followed by other operations such as the sewing process, or "closing", of the different sections of the leather. An operation of "hand lasting" allows the shoe to acquire the final shape desired, the sole is then sewn. The final polishing step ensures that each shoe is polished and quality controlled before it is shipped.


Brief history of the Desert Boot

Like any piece of men's fashion, the Desert Boot model has a story behind. In 1941, the young Englishman Nathan Clark was sent to Burma and then to Egypt as an officer in the Royal Army Service Corps.
Nathan Clark* was abruptly confronted with the reality of the Egyptian desert: the footwear was not adapted to the harsh terrain. In a souk in Cairo, he got his hands on a pair of derbies in suede calfskin with crepe soles. They were comfortable and light. 
9 years later, thanks to a fruitful collaboration with engineer Bill Tuxhill, the Desert Boot was born. 
A model that is now more than 70 years old!

*His grand-father is none other than the founder of Clark’s, founded in 1825 in Somerset. 

 
 
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The 4x4 of leather: Chromexcel

Crown Northampton offers the possibility to order an MTO model, i.e. "Made-to-order". This means that it is possible to order a shoe while choosing the sole. This also ensures the model is strictly manufactured for you and avoids overproduction. 

This is how we chose the Woodford Desert Boot in brown Chromexcel leather #8 from the American company Horween.  The color is reminiscent of a purplish eggplant brownish tone. A real trademark. The sole is made of crepe, the shoe has two eyelets - as is customary on the emblematic model of the 1950s - and the model is very light! 

The particularity of this model is its leather. The historical American Horween tannery in Chicago provides the raw material. Chromexcel was invented in 1905 by the company, it is a "pull-up" leather, i.e. a greasy leather. This means it has been nourished considerably by various oils, grease and waxes during the manufacturing process. Chromexcel leather has the great advantage of being water resistant. 
More than 89 different operations over a 28-day span are necessary to manufacture it, so this leather is expensive. But its beauty is unbeatable: it ensures a beautiful patina over time.
Chromexcel is a hard and resistant leather, we choose to mistreat it voluntarily or rather, not to pamper it. We wish to let it live accordingly daily! 

The desert boot can be easily integrated into a casual outfit. A pair of jeans of course, a chunky sweater and a balmacaan coat with raglan sleeves to top it off. Needless to say, this type of shoe is exclusively reserved to casual outfits. 

Northampton's heritage and English quality

To our knowledge, Crown Northampton is one of the few footwear manufacturers on the European continent to offer this type of Chromexcel "color 8" leather. The pair is sold for £275. An investment, but it will be a long-lasting one. One can even send their pair for a repair service. Yes, one can change the crepe soles.

After all, a pair made expressly for you and in the best conditions possible, worth it, is it not ?

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Andersen Andersen

Note: At our request, Andersen Andersen agreed to send us the 3 sweaters that you will discover in this article.

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Andersen Andersen

The world's best sailor sweaters

 

Texte : Marcos Eliades
Photos : Thomas M.

 

“The sea does not boast of being salty" says a Creole proverb. The obvious things in life are not told but lived, one might say instead. 

As a city dweller by adoption but an islander by birth, the sea has a special place in my heart. One of my most distant childhood memories is of the beach at Polis, in my home country of Cyprus. The waters are crystal clear and the sand fine. The Sun warms up the sporadic pebbles on the beach, which stretches out over a calm bay. For guaranteed freshness in hot Summer days, my favorite outfit are swim trunks, a Sunspel piqué polo shirt and a seersucker cap. 

The beauty of the sea is that it is never the same depending on where you are. I discovered the Normandy coast more than ten years ago thanks to my best friend. Wild, majestic and appeasing coasts. A completely different scenery of my familiar Mediterranean! During these coastal walks, I discovered the pleasure of wearing Navy inspired clothing adapted to this harsher environment. 

A good sailor sweater can quickly become a comforting garment. The Danish brand Andersen Andersen is steadily sailing in this direction. 


Let’s have a closer look. 

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A sailor’s storY

In 2009, Catherine Lundgren-Andersen and Peter Kjær-Andersen, a real-life couple, decided to create the "best sailor sweater in the world". This ambition took root after finding a sailor's sweater in a vintage store in Denmark. The piece was marked by time, but of incomparable beauty - as vintage clothes often are. 

The couple was conquered. Catherine and Peter founded Andersen Andersen in the process and set out to (re)conquer this mythical sailor sweater that has stood the test of time. Authentic marine sweaters do not have a front or back, making them easier for sailors to put them on during nightime. The Marine sweaters are made of 100% merino wool. A thick and rough wool with a tight weave that resists abrasion and humidity. Essential characteristics that can be found in the sweaters of the Danish brand.  

The merino wool of these Danish sweaters are from Uruguay and Patagonia. The wool then travels to Northern Italy where the spinning, knitting, assembling and dyeing factories are located. The sweaters are all fully-fashioned, which means that all the knitwear pieces (front, back, sleeves, collar…) are knitted in the desired shape via decreases / increases. This process avoids wasting material and reduces the number of operations.

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Knitwear for every occasion

The beauty of Andersen Andersen lies in the plurality of the offer, especially in the weight of the sweaters. Thus, lighter pieces are mixed with thicker and heavier ones, more adapted to a harsh and humid winter. 

For this review, we have the opportunity to present three landmark sweaters from the collection. From the thinnest to the thickest. 

 
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SEAMAN TURTLENECK

Gauge 7
Jersey stitch
2 ply

Made in Italy
100% wool

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SAILOR TURTLENECK

Gauge 7
Half Cardigan stitch
4 ply

Made in Italy
100% wool

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NAVY TURTLENECK

Gauge 5
Full Cardigan stitch
6 ply

Made in Italy
100% wool

 
 

The first sweater is the "Seaman Turtleneck", a turtleneck knitted on a 7 gauge flat knitting machine with 2 threads extra spun merino wool for a thin and durable quality. It is knitted in a jersey point: a method often used in lightweight knitwear garments, may they be t-shirts, polos or sweaters.
If you look closely picture number 1, you’ll notice the “bartak” in the sleeves. For those of you who do amateur sewing, it references a sort of zigzag point that Andersen Andersen adds to reinforce all the assembled pieces. Pieces that are assembled with linking machines and not by a “simple” sewing machine. From a technical point of view, the sweater has all the characteristics of a high-end garment. 
It is the thinnest sweater of the selection. In a radiant yellow, the turtleneck of this model is often left unrolled because it is slightly smaller than the two others. Needless to say, yellow and its variations are not difficult to wear, especially in winter. They bring the light out of a sometimes dull outfit. Consider yellow !

 
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The second sweater is the "Sailor Turtleneck”. Knitted on a 7 gauge flat knitting machine with 4 threads extra spun merino wool. The sweater is thicker and heavier than the first one and is perfect for winter. I really like the visual aspect of Half Cardigan stitch, very “rounded”. The difference with the Full Cardigan stitch is easy to recognize: the front and back are not the same. In french, these two forms of knit fabric are said to be double stitch. They are thicker, heavier and more stable than the 1x1 rib.

Wear it for instance under a Sierra Designs down vest in a Kelly Green color, look for the article on the website. The sweater is chosen here in an ecru. At the risk of repeating oneself, white and ecru are colors that are absolutely appropriate for winter. We fully encourage them in an outfit. If you're unsure on trying on the white/ecru five-pocket pants, have a look at some of our prior articles on Crockett & Jones or Village Paris. 

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The third sweater is called the "Navy Turtleneck". In a deep navy blue, this turtleneck is knitted on a 5 gauge flat knitting machine with 6 threads extra spun merino wool. It is the thickest and heaviest of the three sweaters. It is thus perfect to wear alone under a coat, for example a Balmacaan overcoat in Harris Tweed from Beams+. All sweaters have extended sleeves with a hole at the end so you can unroll them and insert your thumb, which will protect you from the cold. In terms of style and when it's not too cold, we prefer to roll up these sleeves and keep them that way. 

 
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These three sweaters form a winning combination marrying both City and Sea. Sweaters adapted to cold temperatures that vary from one day to another, allow a greater heterogeneity and choice of clothing. My obsession for raglan sleeves is not satisfied by these sweaters but their overall quality is fully worth it. The tightly knitted wool leaves me no doubt in its beautiful aging and patina over the years. Eventually, the Andersen couple wanted to intrinsically capture the spirit of a vintage Navy sweater while modernizing and accompanying it with modern techniques based on a century-old know-how. 

A sweater with a Scandinavian heritage

A garment in 100% merino wool knitted in Italy and imagined by the descendants of the Vikings, what more could one ask for?

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Howlin'

 

Note: At our request, Howlin‘ agreed to send us the 2 sweaters that you will discover in this article.

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Howlin'

A creative knitwear brand

Text : Marcos Eliades
Photos : Thomas M.

 

Who has never smelt untreated virgin wool-made sweater ? If you've never had the opportunity to do so, do it as soon as possible. It is as if you are sniffing a whole flock of sheep: a characteristic smell. For some, unpleasant, for others not. I fall into the second category. This perfume transports me to distant Scottish lands, an almost reassuring odor. So when the two Belgian brothers Jan & Patrick Olyslager founded their sweater brand in 2008, they thumbed their nose at conventions by naming their brand Howlin', understand 'who smells bad' in Scottish slang. A real tour de force

Here are two sweaters from their beautiful collection with characteristic patterns. 


Let’s have a closer look. 

 

A story of locality

Howlin' is a Belgian brand specialized in knitwear for 40 years. It is both creative and respectful of know-how. This is finally what we like at Howlin', the association between modernity and tradition. That's why their Shetland wool sweaters are still knitted in Scotland and Ireland. The reason is simple: these two countries are the historical cradle of this type of knitwear. They have recognized know-how in this field. Why go elsewhere? 

T-shirts and sweatshirts are made in Belgium. Whenever possible the jersey is even knitted directly in the region. The tone is set: Howlin' likes to stay local and responsible. In a globalized World where everything goes so fast, the brand bets on slowness to promote quality. 

In terms of distribution, the brand is very well represented in the world. A hundred sellers! 

Two characteristic sweaters

The first sweater is a Shetland made of 100% Scottish wool. The piece is entirely knitted and finished by hand in Scotland. And like all the high-end counterparts knitted in Scotland, the sweater is seamless. In other words, there are no seams, all parts are connected together knit to knit. 

The sweater has a slightly oversized fit, ideal for wearing a shirt underneath or a thick t-shirt. It is also brushed, which gives it this wonderful shaggy look. 

The pattern is characteristic of the Shetland Islands. The story goes that it allowed sailors to be seen from afar by their companions, when they returned from a long stay at sea. Howlin' revives this heritage and offers a sweater completely adapted to the city or bucolic life. A sweater to do everything, in short. 

The biscuit color mixed with a white and brown spiked motif render the sweater both casual and striking. It wears perfectly with raw jeans. The advantage of a toned-down color piece is that it allows a wider and more extensive color combination. Do not hesitate for example to wear beautifully colored socks on your feet!
The sweater here is a size M for a desired oversize effect. 

 
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The second sweater is characteristic of an Irish cable-knit. These cable-knit sweaters have been flooding the clothing market for a few years now, to our great pleasure. No two cable-knit sweaters are alike: historically the patterns were chosen by the sailors’ wives and allowed them to have a family souvenir with them on their travels. Each design allowed for distinguishing sailors among them. 

The sweater is of a beautiful ecru color. As we said before, ecru is fantastic for Winter. It blends easily with everything and really makes it possible to illuminate an outfit by giving it style. 

The fit is generous. I should have probably opted for an S instead of an M, the thickness of the wool accentuating the oversize side - which is finally not at all unpleasant to the eye as well as to the wearer. The knit is thick and heavy, unlike the first sweater which has a spongy and light texture. 

It  has the same characteristics as its counterpart: knitted in 100% Scottish wool. The smell we were talking about in preamble is very subtly present, no doubt: this sweater is authentic. 

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Authentic sweaters

These sweaters will you warm, thanks to them, you will spend a cozy Winter with style. What a beautiful brand and especially what beautiful designs! We greatly encourage you to visit the brand's eshop which offers pieces with characteristic Scottish and Irish patterns. Howlin' is a brand with flair, an authentic flair. 

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